I’m a child of the ‘80s who grew up on a steady diet of Hanna-Barbera cartoons. I love The Jetsons, The Flintstones, The Snorks, Jonny Quest, The Smurfs, and of course, Scooby-Doo.
Artworks employing technological tools, concepts, and outlooks run the risk of alienating those with a more conventional understanding of the arts—those who remain loyal to, say, paint on canvas.
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